In “True Image”, a series of installation and sculptural works are produced by the artist, but only presented in photographic form. The photographic representations of the works are exhibited after the originals have been destroyed. The representation of the original becomes the surrogate original. “ True Image” explores “media” as a tool of information diffusion, its role and influence: from the form and content of the image to the observation capacity of the viewer, confronted to the so-called artistic standards.