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2025.08.01 – 2025.10.24
Space 285 Shanghai Bund Art Center, Shanghai“Xuan Qi” draws on the mode of existence of dark matter in the universe: though invisible, it forms the structural foundation of the cosmos and sustains the harmonious operation of galaxies. Similarly, the “dark matter” within lived experience often serves as an indispensable, silent supporting force in our individual and collective ecologies.
Tintin in Tibet has been adapted from the original color comic into black-and-white ink wash paintings. Tintin, as a symbol of Western adventure and exploration, simultaneously carries narratives of romanticization and colonial perspectives, embodying a kind of “fascination” with Tibetan culture. The artist’s use of ink wash interrupts this comic-based narrative, reshaping the viewer’s experience. This transformation reveals the tensions and explorations that arise at the intersection of different cultures and art forms.

